Drawing is the prime instrument with which we prefigure what will or might be. We rely on it to clearly express and give shape to the complexity of thought that in the creative procedure is grounded on a system of relationships that are at times logical, at times emotional. Today, with the new geometries, we are able to render representation of thinking even more free, a liberation controlled by algorithms with which we manage the fluid signs of contemporary architecture. It is topological geometry that enables transforming the organic signs of sketches into architectonic reality.

IL PENSIERO GEOMETRICO NEL CAMPO DELLA ESPRESSIONE GRAFICA TRA TRADIZIONE E INNOVAZIONE

VALENTI, RITA MARIA
2014-01-01

Abstract

Drawing is the prime instrument with which we prefigure what will or might be. We rely on it to clearly express and give shape to the complexity of thought that in the creative procedure is grounded on a system of relationships that are at times logical, at times emotional. Today, with the new geometries, we are able to render representation of thinking even more free, a liberation controlled by algorithms with which we manage the fluid signs of contemporary architecture. It is topological geometry that enables transforming the organic signs of sketches into architectonic reality.
2014
9788897821809
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.11769/108608
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