The design of sustainability in relation to innovative modernity and identity features of place

The lack of a deep sense of responsibility and respect for the distinctive features of place, to which the production of practising architecture must make reference, very often produces designs of compositional morphologies that are not fitting and inadequate to the geographic nature of the topos, with heavy repercussions of environmental degradation on the sustainable ecosystems. The entire apparatus of signs that the territory manages to express must be constructive and strongly determining in the definition of the strategies that should guide and support the whole procedure of the stages of creative thought. In this sense, proceeding from the first intuitions that have come about through the accurate representative transpositions on paper, the entire successive process revolves around the compatible ratio with the ecosustainability of the place, that unites the planned intervention with the area of land. The materialization of innovative modernity, through the volumetric control of the parts and in relation to a framework of systemic congruence, is realized in a frettage of iterative relationships between what is full and its contrary. Accordingly, given the close bond between design and plan, precisely that we are today experiencing a moment of profound instrumental changes, the complexities of the outcomes of innovative designs, seen within the evolution of the creative processes, become qualities to investigate and understand, in a systemic way, with an introspective eye.