The reuse of the artifacts implicates, before every decision and every constructive fact, the reuse of the memory that they represent for the collectivity. The memory of places is at the base of society's identity and this it often materializes in the architectures that define the urban scene and not only. However in the contemporary society the theme of memory is until too often exploited for the justification of interventions that not always have respect of the project culture, that is also memory of the past. The shapes of memory are often in conflict with the memory of shapes. Therefore, the project of architectural reuse places to half between the shape of memory and the memory of shape. Moreover, the themes of material, functional, energetic compatibility contribute to the complexity of problem and to the new appeals of contemporary dwelling in the heideggerian meaning of the term. With several examples of projects realized within the thesis, we intend to reflect on the choices made in the architectural reuse but also of meta-design strategies for the regeneration and the revitalize the urban centers in progressive level of abandonment. Leading the choices both design and meta-design strategies always has been the search of that awareness to be contemporary to our time that must be able to be represented in the physical space. The conflict between shapes of memory and memory of shapes can find this way a synthesis in the project, as it will be shown.

Il riuso delle memorie dei luoghi. La forma della memoria vs la memoria della forma

sebastiano d'urso
Writing – Original Draft Preparation
2018

Abstract

The reuse of the artifacts implicates, before every decision and every constructive fact, the reuse of the memory that they represent for the collectivity. The memory of places is at the base of society's identity and this it often materializes in the architectures that define the urban scene and not only. However in the contemporary society the theme of memory is until too often exploited for the justification of interventions that not always have respect of the project culture, that is also memory of the past. The shapes of memory are often in conflict with the memory of shapes. Therefore, the project of architectural reuse places to half between the shape of memory and the memory of shape. Moreover, the themes of material, functional, energetic compatibility contribute to the complexity of problem and to the new appeals of contemporary dwelling in the heideggerian meaning of the term. With several examples of projects realized within the thesis, we intend to reflect on the choices made in the architectural reuse but also of meta-design strategies for the regeneration and the revitalize the urban centers in progressive level of abandonment. Leading the choices both design and meta-design strategies always has been the search of that awareness to be contemporary to our time that must be able to be represented in the physical space. The conflict between shapes of memory and memory of shapes can find this way a synthesis in the project, as it will be shown.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.11769/357079
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