Due to the intensive reception of Wittgenstein’s theories in modernism and after World War II, the literary experiment in Austria has always been especially focused on language as material. The contributions of this volume however extend this understanding of literary experiment by including aspects of content and by dealing not only with poetry, which has so far been well researched, but with all kind of literary genres. The exploration of new literary strategies and techniques move experimental literature close to avant garde. In the volume the two terms, though linked by the lowest common denominator of innovation, are definite. Avant garde always means a general combative attitude towards that which is institutional or (semi-)official. This ideological attitude is not at all a prerequisite for experiment. The individual papers deal with notions of neo-/post-/avant-garde in quite different ways, each contributor giving his or her explicit individual definition. Concepts of avant garde can only be temporary whereas the experiment always appears as a timeless modality of literature. The eighteen papers follow the chronological and topical order of the conference, thus ensuring the coherency of the volume. They are arranged in four sections: Modernism and Historical Avant Gardes; The Environment of the Vienna Group; Between Tradition and Experiment; New Media – Transmediality. The authors dealt with are among others Hermann Bahr, Franz Kafka, Milo Dor, Walter Serner, L. W. Rochowanski, Arthur Schnitzler, Konrad Bayer, Albert Drach, Gerhard Rühm, Oswald Wiener, Friedrich Achleitner, Ernst Jandl, Paul Celan, Thomas Bernhard, Gert Jonke, Brigitta Falkner, Ann Cotten, Oswald Egger and Clemens J. Setz.
Per via della intensa ricezione delle teorie di Wittgenstein nella Moderne e nel secondo dopoguerra, l’esperimento letterario in Austria si è sempre focalizzato soprattutto sulla lingua come oggetto della scrittura. I contributi contenuti in questo volume, tuttavia, ampliano questa idea di esperimento letterario e includono aspetti riguardanti il contenuto, affrontando non solo la poesia, che finora è stata ben studiata, ma tutti i tipi di generi letterari. L'esplorazione di nuove strategie e tecniche letterarie avvicina la letteratura sperimentale all'avanguardia. Nel volume i due termini, sebbene collegati dal minimo comun denominatore dell‘innovazione, vengono mantenuti distinti. Avanguardia significa sempre un atteggiamento battagliero nei confronti di ciò che è istituzionale o ‘ufficioso‘. Questo atteggiamento ideologico non è affatto un prerequisito dell'esperimento letterario inteso in modo più ampio. Nei singoli contributi vengono i concetti di neo-/ post-/ avanguardia vengono trattati in modi abbastanza diversi, e molti dei contributori e delle contributrici offrono una propria definizione. I diversi concetti di avanguardia possono avere solo una validità temporanea, mentre l'esperimento appare sempre come una modalità atemporale della letteratura. I diciotto articoli seguono un ordine cronologico e tematico, garantendo così la coerenza del volume, e sono organizzati in quattro sezioni: Moderne e avanguardie storiche; Nell’ambito della Wiener Gruppe; Fra tradizione ed esperimento; Nuovi media – Transmedialità. Fra gli autori trattati: Hermann Bahr, Franz Kafka, Milo Dor, Walter Serner, L. W. Rochowanski, Arthur Schnitzler, Konrad Bayer, Albert Drach, Gerhard Rühm, Oswald Wiener, Friedrich Achleitner, Ernst Jandl, Paul Celan, Thomas Bernhard, Gert Jonke, Brigitta Falkner, Ann Cotten, Oswald Egger e Clemens J. Setz.
Experimentierräume in der österreichischen Literatur
Vincenza Scuderi
2019-01-01
Abstract
Due to the intensive reception of Wittgenstein’s theories in modernism and after World War II, the literary experiment in Austria has always been especially focused on language as material. The contributions of this volume however extend this understanding of literary experiment by including aspects of content and by dealing not only with poetry, which has so far been well researched, but with all kind of literary genres. The exploration of new literary strategies and techniques move experimental literature close to avant garde. In the volume the two terms, though linked by the lowest common denominator of innovation, are definite. Avant garde always means a general combative attitude towards that which is institutional or (semi-)official. This ideological attitude is not at all a prerequisite for experiment. The individual papers deal with notions of neo-/post-/avant-garde in quite different ways, each contributor giving his or her explicit individual definition. Concepts of avant garde can only be temporary whereas the experiment always appears as a timeless modality of literature. The eighteen papers follow the chronological and topical order of the conference, thus ensuring the coherency of the volume. They are arranged in four sections: Modernism and Historical Avant Gardes; The Environment of the Vienna Group; Between Tradition and Experiment; New Media – Transmediality. The authors dealt with are among others Hermann Bahr, Franz Kafka, Milo Dor, Walter Serner, L. W. Rochowanski, Arthur Schnitzler, Konrad Bayer, Albert Drach, Gerhard Rühm, Oswald Wiener, Friedrich Achleitner, Ernst Jandl, Paul Celan, Thomas Bernhard, Gert Jonke, Brigitta Falkner, Ann Cotten, Oswald Egger and Clemens J. Setz.File | Dimensione | Formato | |
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