Il museo: dallo spettacolo allo spettatore. Dispositivi, Sguardi, Strategie

Museum space has traditionally been a physical space, but also a relationship space, the place for the aesthetic and sensible experience to be held. At the level of expression, museum physical space has traditionally been characterized by three essential components: people, their movement space, and the things space. At the level of content, only visitor s actions. The space takes also its meaning from its relationship with the use being made, which is very often rigidly attached to the text; from the white cube to the dark box, the museum seems to always need a frame. The current research project aims to analyze the typology of the intended and prefigured use by the organization of museum space and spectacle. Keywords: museum, semiotic, experience spaces, spectacle, transdisciplinary perspective