The objective of this paper is to address issues of comparability between English and Italian film dialogues. A comparison is drawn between dispersed words and n-grams extracted from the original English component, from the dubbed Italian component and from the original Italian component of the Pavia Corpus of Film Dialogue (Freddi and Pavesi 2009a; Pavesi et al. 2014; Zago 2018) via the WordSmith Tools software (Scott 2011). Besides identifying cross-linguistic dimensions of comparability between non-translated films, the paper examines the linguistic profile of dubbed Italian films against the background of both the language of original English films – the source texts – and the language of original Italian films. The findings suggest that film dialogue is a cross-linguistically stable register driven by the need to represent orality as well as by diegetic concerns.
English films vs Italian films: A comparative analysis via the Pavia Corpus of Film Dialogue and the WordSmith Tools
Raffaele Zago
2019
Abstract
The objective of this paper is to address issues of comparability between English and Italian film dialogues. A comparison is drawn between dispersed words and n-grams extracted from the original English component, from the dubbed Italian component and from the original Italian component of the Pavia Corpus of Film Dialogue (Freddi and Pavesi 2009a; Pavesi et al. 2014; Zago 2018) via the WordSmith Tools software (Scott 2011). Besides identifying cross-linguistic dimensions of comparability between non-translated films, the paper examines the linguistic profile of dubbed Italian films against the background of both the language of original English films – the source texts – and the language of original Italian films. The findings suggest that film dialogue is a cross-linguistically stable register driven by the need to represent orality as well as by diegetic concerns.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
