The essay investigates the presence and artistic influence of Chinese painters active in Nagasaki during the Tokugawa period (1603–1868), focusing on stylistic developments and cross-cultural contaminations between Chinese and Japanese visual traditions. By analyzing specific painters and visual works, the article highlights the aesthetic, religious, and commercial exchanges that fostered a hybrid art form in this key Japanese port city, emphasizing its role as a cultural hub in East Asia during Japan's period of limited foreign contact.
Chinese Painters in Nagasaki: Style and Artistic Contaminatio during the Tokugawa Period (1603-1868)
Marco Meccarelli
2015-01-01
Abstract
The essay investigates the presence and artistic influence of Chinese painters active in Nagasaki during the Tokugawa period (1603–1868), focusing on stylistic developments and cross-cultural contaminations between Chinese and Japanese visual traditions. By analyzing specific painters and visual works, the article highlights the aesthetic, religious, and commercial exchanges that fostered a hybrid art form in this key Japanese port city, emphasizing its role as a cultural hub in East Asia during Japan's period of limited foreign contact.File in questo prodotto:
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