This essay attempts to draw an innovative map of melodramatic sensitivity according to specific criteria of genre and form. It derives its inspiration from themes found in Fassbinder's cinematgraphy - such as the complex interplay of love, power and desire - and then proceeds on three different axes based on The bitter tears of Petra von Kant, A Streetcar Named Desire andVeronika Voss. Each section analyzes its subject in parallel with with some theatre revisions, combining thematic issues and semiotic patterns.
|Titolo:||Each girl kills the thing she loves. Variazioni melodrammatiche nella scena contemporanea|
|Data di pubblicazione:||2017|
|Appare nelle tipologie:||1.1 Articolo in rivista|