This essay attempts to draw an innovative map of melodramatic sensitivity according to specific criteria of genre and form. It derives its inspiration from themes found in Fassbinder's cinematgraphy - such as the complex interplay of love, power and desire - and then proceeds on three different axes based on The bitter tears of Petra von Kant, A Streetcar Named Desire andVeronika Voss. Each section analyzes its subject in parallel with with some theatre revisions, combining thematic issues and semiotic patterns.
Titolo: | Each girl kills the thing she loves. Variazioni melodrammatiche nella scena contemporanea |
Autori interni: | |
Data di pubblicazione: | 2017 |
Rivista: | |
Handle: | http://hdl.handle.net/20.500.11769/314617 |
Appare nelle tipologie: | 1.1 Articolo in rivista |
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Rimini_fassbinder.pdf | Versione Editoriale (PDF) | Open Access Visualizza/Apri |
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