If recent audiovisual production addresses itself to a reconfiguration of the biographical as proper genre, we can certainly reflect about the way this tendency crosses the most canonical taxonomies, particularly a metamorphic (and unclassifiable) genre like musical, which was defined a genre "without matter" (because it has no fixed subjects, places and times of setting). What happens if the story of a life espouses the formal conventions of musical language?The essay aims to explore this specific rhetoric intersection, throughout some of the last works belonging to what is called "musical biopic".
Life Discomposed: il genere tra musica(l) e vita
S. Busni
2022-01-01
Abstract
If recent audiovisual production addresses itself to a reconfiguration of the biographical as proper genre, we can certainly reflect about the way this tendency crosses the most canonical taxonomies, particularly a metamorphic (and unclassifiable) genre like musical, which was defined a genre "without matter" (because it has no fixed subjects, places and times of setting). What happens if the story of a life espouses the formal conventions of musical language?The essay aims to explore this specific rhetoric intersection, throughout some of the last works belonging to what is called "musical biopic".File in questo prodotto:
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