This paper aims to present the work of the Ibero-American avant-gard & artist cinema Mònica Saviròn and the collective of Radha May, that give birth to creative researches for reconsidering audio-visual materials and contents in a technical, discoursive and historical approach. This could enlighten the importance to connect visual culture approach to archeological and ecological perspectives. Similar works could give us the opportunity also to reconsider the connection between artists, archival-exhibition istitutions, the research and communicative dinamics in the time.
Questo articolo si propone di presentare il lavoro dell'avanguardista e artista cinematografica ibero-americana Mònica Saviròn e del collettivo di Radha May, che danno vita a ricerche creative per riconsiderare materiali e contenuti audiovisivi in un approccio tecnico, discorsivo e storico. Questo potrebbe far capire l'importanza di collegare l'approccio della cultura visuale a prospettive archeologiche ed ecologiche. Lavori simili potrebbero darci l'opportunità di riconsiderare anche la connessione tra artisti, istituzioni archivistico-espositive, ricerca e dinamiche comunicative del tempo.
(Under)represented cinema, video, stillness and moving image heritages. The visual media works of Mònica Saviròn e Radha May’
G. SantaeraPrimo
2020-01-01
Abstract
This paper aims to present the work of the Ibero-American avant-gard & artist cinema Mònica Saviròn and the collective of Radha May, that give birth to creative researches for reconsidering audio-visual materials and contents in a technical, discoursive and historical approach. This could enlighten the importance to connect visual culture approach to archeological and ecological perspectives. Similar works could give us the opportunity also to reconsider the connection between artists, archival-exhibition istitutions, the research and communicative dinamics in the time.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.