The essay discusses the “fragments of amorous discourse” left, before committing suicide, by Margarita Gil Roësset, a young avant-garde sculptor, to her beloved Juan Ramón Jiménez. The latter, who should have been the only “reader” of those confessional fragments, instead changed their meaning and addressee forever, by including them as “Marga’s diary” – together with his own “commemorative” texts and those of Zenobia Campubrí – in the tribute volume Marga (2015), edited and published by her great-granddaughter Hernández-Pinzón.
La voce a lei dovuta: l’afonia amorosa di Margarita Gil Roësset
anita fabiani
2022-01-01
Abstract
The essay discusses the “fragments of amorous discourse” left, before committing suicide, by Margarita Gil Roësset, a young avant-garde sculptor, to her beloved Juan Ramón Jiménez. The latter, who should have been the only “reader” of those confessional fragments, instead changed their meaning and addressee forever, by including them as “Marga’s diary” – together with his own “commemorative” texts and those of Zenobia Campubrí – in the tribute volume Marga (2015), edited and published by her great-granddaughter Hernández-Pinzón.File in questo prodotto:
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